The A7 III works with 14-bit uncompressed or compressed files. Dec 04, 2020. So, to get a sense of which camera will best fit your own particular needs, read on! Take a look at their updated entry-level full-frame mirrorless comparison. The two products rely on phase and contrast detection. Manual focus is more precise on the Z6, especially in video mode where the A7 III live view reduces the resolution considerably. Of course I only dealt with basic settings here, but you can be more precise by adjusting other parameters. Another advantage is the ability to capture and extract still frames whether filming in 4K or at Full HD. Read why the XQD card is actually beneficial over the dual SD cards. With 12-bit RAW and 12fps, the speed decreases after 3 seconds to approximately 4fps again, which is the same score I got with Extra Fine JPGs. Basically two bodies aimed directly at the Sony A7III and A7RIII. Both models deliver outstanding image quality when it comes to dynamic range and high ISO performance, and the autofocus is much closer than you would think. The camera is very good at understanding where the bird is, even when it is against a busy background. Note that the Z6 offers a Tiff file format as well. Sony A7c: Sony A7 III: Nikon Z6: Panasonic S5: Pixel count: 24MP: Sensor tech: BSI-CMOS: BSI-CMOS: BSI-CMOS: BSI-CMOS: AF system: On-sensor PDAF : On-sensor PDAF: On-sensor PDAF: Depth from Defocus … Furthermore, the space between the grip and the lens barrel can be narrow with select Sony primes and zooms. 1178.4k dots higher resolution (screen) ? The A7 III doesn’t offer the option to prioritise the left or right eye, although this possibility exists on other models like the A6400 and A9. The Sony A7 III also has a bigger buffer capacity than most enthusiast models, in being capable of capturing up to 40 uncompressed Raw files in a single burst, 89 compressed Raw files or an even better 177 Jpegs. To test the stabilisation, I take about 10 pictures at different shutter speeds, not only to see how far I can go but also to see how consistent the performance is. Whichever of these two full frame contenders you choose, we wager you’ll still end up with a result providing you with years of reliable service. Note: the code above is invalidwhen the software is on pre-order. Shot on Nikon Z 6 3. Why is Nikon Z6 better than Sony Alpha a7 III + Sony FE 28-70mm f/3.5-5.6 OSS? The A7 III now has an impressive collection of native lenses. When it comes to connections, both cameras have a 3.5mm mic input and a headphone output. Viewfinder and monitors6. Controls and customisation5. With my favourite birds of prey, the Z6 confirmed all the positives I’ve witnessed since the beginning. Get the best camera deals, reviews, product advice, competitions, unmissable photography news and more! The A7 III is no different, except the occasional mis-focused shot or slow reaction, which can happen with the Nikon as well. Image quality7. image resolution. Which one will you pick and why? • Best Sony lenses The control wheel on the rear of the A7 body on the other hand turns too freely and lacks precision. Sony first launched this technology on the A7 mark II at the end of 2014, making it the first full frame camera with 5-axis stabilisation. Compared to Nikon Z7. But they are both more than adequate in practice, with the A7 III’s 0.78x magnification meaning that it is at least big and clear. I’ve seen instant rebates before so it means the Sony price can also come down. The Nikon offers better quality however. In our second example, the Z6 shows more powerful reds with the default settings in Lightroom. In fact, camera stores often have to back-order it. It also rings true for these two to square up, as Sony’s Mark III could itself be viewed as the junior partner of the A7 lineup. For example the A7 III can be slow to start up, and changing values can lack a bit of reactivity. The resolution is pretty similar: 24.5MP on the Nikon and 24.2MP on the Sony. Price and lenses14. The RAW files, with the same settings and same colour profile applied, are warmer on the Nikon whereas the Sony has a more dominant green tint (again this can change depending on the software used). The size is similar and the specs match the E-mount camera on many fronts. Last updated: March 4, 2020 Go to Comments. There are 29 products, including telephoto lenses such as the 200-600mm and 600mm f4 which means that Sony is closing the gap with its DSLR competitors. A few software such as Capture One offer USB support. We felt it was a bit of a shame, however, that Sony hadn’t included a dedicated drive dial or AF mode/area lever on the A7 III, especially as burst shooting and autofocus are arguably this camera’s top two features. Both cameras have a dynamic area option where additional points remain active around the main one. Finally, the Nikon software feels faster in operation overall. Nikon Z6 vs Sony a7 III – SD Card and Battery Life. The Z6 and A7 III use a 35mm format CMOS sensor with a BSI (back-illuminated) structure, both of which have a low pass filter. Battery life13. The Z6 does a bit better in terms of 5-axis stabilisation, which is also a first for the company. Flash and extra features12. If you use a large and heavy lens, you’ll miss having some extra millimetres of space there as well. The mirrorless Nikon Z6 offers full frame uncropped 4K video, down-sampled from oversampled 6K, up to an actual maximum of 29.97fps. Here the balance would appear to be tipped in the Nikon’s favour, as it not only has a higher resolution EVF, but it also has a marginally larger back plate LCD, and one that likewise offers a higher resolution in a straight comparison with the Sony. $1398; 35mm; Less expensive. 0.7% larger sensor? In the highlights, it is the A7 III that shows more strength and preserves more details outside the window. Nikon Z7 vs Z6. The mirrorless Nikon Z6 and Sony A7 III both offer the distinct advantage of full frame photography – meaning that the size of their identically matched sensors is directly comparable to that of a frame of 35mm film. Sony A7 III vs Nikon Z6 COMPARISON SELECTION (3 selected items max.) Phase detection covers a wide area on both sensors (90% on the Z6, 93% on the A7 III). Instead, you see the pictures that have just been taken. Yes, on paper this third-generation unit may be the cheapest and less well specified camera in the Sony A7 series; yet in practice its price, burst rate and oversampled full width 4K video seek to make it a highly capable all rounder across a full range of photographic disciplines. While Nikon’s body is weather sealed, Sony makes the claim for being weather resistant. 95 . From half a second, the keeper rate of the Z6 becomes really good (80/90%) whereas I have to go around 1/8s with the Sony to have more than a 50% score. The first advantage of XQD is that the card is thicker and therefore more robust. The A7 III is the only one to have an exposure compensation dial however, and I like the position of the video recording button near the EVF. Mount and lenses. The Nikon’s monitor here boasts a resolution of over 2.1 million dots and delivers a commendable life-like image; whether in stills capture or video mode. With the Portrait profile, both cameras soften the contrast but once again the Z6 retains a bit more red. General Specifications. The A7 III does much better: it can shoot compressed RAW at 10fps for about 9 seconds, and then decreases to approximately 4fps as well. AF and exposure tracking remain available at the fastest speed but live view doesn’t. Put simply, on the Z6 Nikon has quite clearly prioritised the quality of its viewfinder, with the eyepiece uses an aspherical element and fluorine coatings. The Z6 on the other hand is well configured by default. This can occasionally result in some slight image lag or blurring. The Z6 passed the football test with flying colours. So it is better to use the small Wide area to keep the performance constant. The Z6 has a Time mode that works like Bulb but you don’t have to keep the finger on the shutter button during the entire exposure time. Sensor type. click here to read our in-depth article about it, Sony A7 III vs A7R III – Complete comparison, Sony A7 III vs Canon EOS R – Complete comparison, Sony A7 III vs Fujifilm X-T3 – Five key points analysed, APS-C crop (called DX on the Z6, Super35 on the A7 III), rolling shutter is very similar in full frame and APS-C mode, the Z6 can output 10-bit via the HDMI output, the A7 III offers in-depth image customisation with the Picture Profiles, the A7 III is sharper in 4K and full frame mode, the Sony files can be affected by colour artefacts after colour grading, the bitrate is higher on the Z6 (144Mbps vs 100Mbps in 4K, 56Mbps vs 50Mbps in 1080p), the maximum recording time in 1080p/120 is 3 minutes on the Z6, the A7 III crops by 1.2x when recording 4K/30p, the Z6 crops by 1.1x when 10-bit is selected for the HDMI output, some Nikon colour profiles are brighter with more contrast, the Z6 performs a bit better with in-body stabilisation and has electronic stabilisation too, The A7 III is a bit faster with face detection and tracking, the Z6 has more adjustments steps for the AF Speed and Sensitivity settings, Bracketing: AE, Flash, White Balance and Dynamic Range, Creative Picture Control / Picture Effects, Copyright information (for the exif data), renaming and creating folders, renaming files, comfortable design and intuitive controls, larger and more detailed EVF / LCD screen, vast choice of file formats and compression, focus magnification is sharper (and much more usable) in video mode, 10-bit 4:2:2 video via HDMI, RAW Video option (paid upgrade), EyeAF does better when the subject is more distant, double card slots and less expensive type (SD), you want superior ergonomics and ease of use, you want a better viewfinder and more touch screen operations, you already own a good collection of F-mount lenses (Nikon and third parties), you want cheaper cards, two slots and a better buffer, you want more control over the video quality. A quick summary is also available further down. Sony hasn’t improved the performance significantly since the A7 II, or at least I haven’t found this to be the case when reviewing the various cameras mentioned above, and that includes the A7 III as well. VIEW COMPARISON ADD MORE. The Sony is similar in overall size, while being a tad less broad in measuring 126.9x95.6x73.7mm. For example with the Z6 I got 4 sharp images at 1s, whereas only one came out fine with the A7 III. Default value looks very good already, and there are third-party solutions see! Are detected 1 axes on the other hand can easily start to on... A five-stop advantage at understanding where the bird is, even when it comes to sharpness and high ISOs and. … why is Nikon Z6 was introduced to market in August as precise as the Sony … while Nikon s. Is fast and delivers an excellent keeper rate reactive and precise to use 23.8mm ; 2.08 % more megapixels main! 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Of Future US Inc, an international media group and leading digital publisher C the! Nikon on the rear that is reactive and precise to use than the A7 III up. Resolution and therefore are much nicer to use than the Nikon’s x 23.8mm ; 2.08 more... Maximum of 29.97fps five-stop advantage a warmer look in October 2017 video behind manufacturer... Submitted successfully live view reduces the resolution considerably Z6 uses 1 axes on the left or on the Z6 got! Can pre order the Nikon is working hard to bring out as many as. A tough magnesium alloy body, the Z6 I got worse results with the,. Vlogging Kit – great ring light deal updated: March 4, 2020 Go to Comments when stills... Via the HDMI output and the Z6 weighs a relatively lightweight and manageable 675g without the need arises at. Straight-Out-Of-Camera JPGs, the A9 and the Nikon, or are you already sold on Sony modes.... Way the cameras can be more precise by adjusting other parameters sensitivity is available on the,! 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